Professional Lenses
WORLD'S FIRST!The legend has begun! The first of it’s kind. The Sigma 135mmF1.4 ART is a marriage between the Sigma 105mm F1.4 and the Sigma 135mm F1.8. This is by far the best portrait lens I’ve ever had the pleasure to shoot with. If you use it on an APSC camera or mode, it turns literally into a 200 (202.5)mm F2. Two portrait lens in one. LEGENDARY The Sigma 135mm F1.4 DG | Art is the world’s first 135mm autofocus lens to achieve a maximum aperture of F1.4, delivering exceptional expressive capabilities for portrait photography.
Its unrivaled large bokeh and stunning resolution that renders every detail create an extraordinary sense of depth and dimensionality.
The natural perspective and moderate shooting distance unique to 135mm, combined with the rich bokeh of the bright F1.4 aperture, make the subject stand out and render on an entirely different level compared to conventional 135mm F1.8 lenses.
Built on extensive expertise gained from developing numerous F1.4 prime lenses, this 135mm lens from Sigma sets a new standard in portrait photography.
The Viltrox 14mm F4 is a little gem. It will never take the place of my Sigma 14-24mm F2.8 ART but for a FULL FRAME lens that fits in your hand and sharp is so cool. I shoot my landscapes anyway at F5.6-F8 and it does not weigh my bag down. I love it.
The Sigma 70-200mm f/2.8 DG DN OS Sports Lens is a high-performance lens designed for capturing sports, wildlife, and weddings. This lens is like a faternal twin of the Sony 70-200mm F2.8 G- Master II. It’s a staple in every photographer kit! Amazingly exquisite.
World's first* full-frame, F1.8 maximum aperture zoom lens oh me oh my! The Sigma 28-45 F1.8 Art Lens is so so so sharp. For video this lens is 2nd to none. Remarkable for low light for events and photography.
Oh boy! This lens is about to be legendary. The Tamron 35-150mmF2-2.8 should be the holy grail of what the 24-70 began. This lens never leaves my camera. With lenses like the extraordinary Sony 24mm F1.4, Sigma 35mm F1.2 and the Sony 50mm F1.2, you literally need nothing else. The images that comes out of this lens is remarkable. This is a unicorn lens and if you can find one, it will exceed every imagable expectation you ever had!
This is it right here. The Sony FE 50mm F1.2 is the stuff that dreams are made of. Paired with the Sigma 35mmF1.2, this is portrait nirvana.
I thought I would never fall in love with a 35mm, I was dead wrong. It feels like a 70-200mm F2.8GM but in a 35mm. It’s solid in the hand. The images that come out of this lens is out of this world. Please get the Sigma 35mm F1.2 and you'll never regret it. The bokeh it produces is astonishing!
This is the Sigma 14-24mm F2.8 for Sony Full Frame system. No words can express the pure joy that I have out of this lens. This is a match made in heaven. It does everything and completes the Holy Trinity of Lenses- 14-24mm F2.8, 28-45mm F1.8 & 70-200mm F2.8. What a joy!!! Look at that front element and the cool thing about is, it takes ND filters in the back of the lens.
The Viltrox 27mm F1.2 is a true professional grade lens. The F1.2 on the Sony FX30 is remarkable. I love how heavy it is because it make you hold the camera much tighter for smooth camera moves. I can’t say enough about this lens. It’s stunning!
The Tamron 20-40 F2.8 is the golden new standard. This lens never leaves my camera. This is what a standard zoom lens should be.
The Rokinon FE135mm F1.8 is my tight corporate and portrait head shot lens. But it's great for all types of photography. Including Landscape, Cityscapes, Architectural, Nature and Flowers and Street. It's so crazy sharp!
This Rokinon 85mm F1.4 Series II is just amazing. The images it produce are nothing but sensational.
Offering the brightness of constant F2.8 and outstanding portability, the 11-20mm F/2.8 Di III-A RXD (Model B060) is a fast-aperture ultra wide-angle zoom lens for Sony E and APS-C mirrorless cameras.
This lens is awesome. 150-500mm is great and the images are sweet! Small and compacted for its size. Kinda feels like the 70-200GM as far as the weight and length. Great for long distant street, wild life, nature.
If I can only have 1 Lens to take with me to do my work - it will be this: The Sony 70-200 F2.8 G-Master. The compression out this len is LEGENDARY!
The 100mm F2.8 STF lenses is my portrait go-to lens. Extraordinary background bokeh. Truly amazing!
The Samyang 24-70mm F2.8 is the first zoom lens from the company in a couple of decades. Their first zoom is actually quite great. Impressive bokeh rendering and a functional custom switch that acts like the Canon focus ring that can turn it into an aperture or focus ring. Samyang is on a roll!
This is my Sony 24-70mm F 2.8 G-Master. This beautiful zoom is a must for weddings and standard portraiture.
The Sigma 105mm F2.8 Macro is the newest Art Lens to enter the market. The 1to1 ratio will give you true macro abilities. Secondly, it’s an awesome len for portraiture work.
The Sony 20mm F1.8 G Lens is a god send. This lens should have been a G-Master lens and is considered by many as one. The astrophotography gem! Minimum focusing distance is so good.
The 16-35mm F4 Zeiss lens is my Landscape, Structure, Real Estate & Architecture lens. A total gem!
The 85mm F1.8 is my street portraiture lens fast and bright . This little beast can do it all.
The Sony 28mm F2. This is my Landscape & Journalism Lens. Super Sharp!
The Sony 55mm F1.8 ZA IS my short telephoto portrait lens. This lens produces stunning images and is amazingly fast for such a small lens. One of the sharpest lenses…. EVER to be produced.
This little baby is the Tamron 20mm F2.8. But don’t let the smallness fool you. This is a power packed game changing lens. It produces amazing results yet can fit in the palm of your hands. I can get even 4.3” close for macro capabilities!
The Sigma 65mm F2 I - Series has a fast F2 maximum aperture. With full-frame coverage, all-metal construction, exceptional autofocus performance, and gorgeous. The maximum aperture of F2 provides excellent low-light performance, and creates beautiful background blur to separate subjects from the environment. It's a happy medium from a 50 and 85. The background separation is stunning. Perfect for Portraiture and street photography.