WORLD'S FIRST!The legend has begun! The first of it’s kind. The Sigma 135mmF1.4 ART is a marriage between the Sigma 105mm F1.4 and the Sigma 135mm F1.8. This is by far the best portrait lens I’ve ever had the pleasure to shoot with. If you use it on an APSC camera or mode, it turns literally into a 200 (202.5)mm F2. Two portrait lens in one. LEGENDARY The Sigma 135mm F1.4 DG | Art is the world’s first 135mm autofocus lens to achieve a maximum aperture of F1.4, delivering exceptional expressive capabilities for portrait photography.
Its unrivaled large bokeh and stunning resolution that renders every detail create an extraordinary sense of depth and dimensionality.
The natural perspective and moderate shooting distance unique to 135mm, combined with the rich bokeh of the bright F1.4 aperture, make the subject stand out and render on an entirely different level compared to conventional 135mm F1.8 lenses.
Built on extensive expertise gained from developing numerous F1.4 prime lenses, this 135mm lens from Sigma sets a new standard in portrait photography.
A unique focal length and a bright design, the Sigma 65mm f/2 DG Contemporary Lens is a long-normal, short portrait-length prime offering a uniquely versatile field of view for portraiture and selective everyday shooting.
Sitting between the typical 50mm normal focal length and true telephoto designs, this 65mm offers a narrower perspective that still retains enough context for everyday shooting. Coupled with the bright f/2 maximum aperture, depth of field control and available light shooting is still possible, too.
The Sigma 70-200mm f/2.8 DG DN OS Sports Lens is a high-performance lens designed for capturing sports, wildlife, and weddings. This lens is like a faternal twin of the Sony 70-200mm F2.8 G- Master II. It’s a staple in every photographer kit! Amazingly exquisite.
World's first* full-frame, F1.8 maximum aperture zoom lens oh me oh my! The Sigma 28-45 F1.8 Art Lens is so so so sharp. For video this lens is 2nd to none. Remarkable for low light for events and photography.
Oh boy! This lens is about to be legendary. The Tamron 35-150mmF2-2.8 should be the holy grail of what the 24-70 began. This lens never leaves my camera. With lenses like the extraordinary Sony 24mm F1.4, Sigma 35mm F1.2 and the Sony 50mm F1.2, you literally need nothing else. The images that comes out of this lens is remarkable. This is a unicorn lens and if you can find one, it will exceed every imagable expectation you ever had!
This is it right here. The Sony FE 50mm F1.2 is the stuff that dreams are made of. Paired with the Sigma 35mmF1.2, this is portrait nirvana.
I thought I would never fall in love with a 35mm, I was dead wrong. It feels like a 70-200mm F2.8GM but in a 35mm. It’s solid in the hand. The images that come out of this lens is out of this world. Please get the Sigma 35mm F1.2 and you'll never regret it. The bokeh it produces is astonishing!
This is the Sigma 14-24mm F2.8 for Sony Full Frame system. No words can express the pure joy that I have out of this lens. This is a match made in heaven. It does everything and completes the Holy Trinity of Lenses- 14-24mm F2.8, 28-45mm F1.8 & 70-200mm F2.8. What a joy!!! Look at that front element and the cool thing about is, it takes ND filters in the back of the lens.
The 100mm F2.8 STF lenses is my portrait go-to lens. Extraordinary background bokeh. Truly amazing!
The 85mm F1.8 is my street portraiture lens fast and bright . This little beast can do it all.
The Viltrox 27mm F1.2 is a true professional grade lens. The F1.2 on the Sony FX30 is remarkable. I love how heavy it is because it make you hold the camera much tighter for smooth camera moves. I can’t say enough about this lens. It’s stunning!
The Viltrox 14mm F4 is a little gem. It will never take the place of my Sigma 14-24mm F2.8 ART but for a FULL FRAME lens that fits in your hand and sharp is so cool. I shoot my landscapes anyway at F5.6-F8 and it does not weigh my bag down. I love it.
The Tamron 20-40 F2.8 is the golden new standard. This lens never leaves my camera. This is what a standard zoom lens should be.
The Rokinon FE135mm F1.8 is my tight corporate and portrait head shot lens. But it's great for all types of photography. Including Landscape, Cityscapes, Architectural, Nature and Flowers and Street. It's so crazy sharp!
Offering the brightness of constant F2.8 and outstanding portability, the 11-20mm F/2.8 Di III-A RXD (Model B060) is a fast-aperture ultra wide-angle zoom lens for Sony E and APS-C mirrorless cameras.